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Interview with an Indian Vinyl Record Collector

Interview with an Indian Vinyl Record Collector
By - xivala verma 6 min read 0 views

Vinyl records have made a remarkable comeback in India over the past decade. What was once considered a niche hobby among audiophiles and nostalgia seekers has grown into a vibrant community of collectors and enthusiasts. To understand this resurgence better, I spoke with Rajesh Sharma, a passionate vinyl collector based in Mumbai. Rajesh has been collecting Indian and international vinyl records for over 15 years and has witnessed firsthand the evolution of the vinyl culture in India. His insights reveal not just the charm of collecting vinyl but also the challenges and joys unique to the Indian context.

Here is the Details of Interview with an Indian Vinyl Record Collector

Rajesh’s journey into vinyl began in the early 2000s, when he stumbled upon an old record player in his family home. Fascinated by the warm, authentic sound and the tangible connection to music, he started collecting records from local stores and flea markets. “I remember the thrill of finding a rare Bollywood vinyl records soundtrack or a vintage classical raga on vinyl,” he recalls. “Each record felt like a piece of history, a story captured in grooves.”

When asked why vinyl resonates so deeply with him, Rajesh explains that it’s more than just sound quality. “Vinyl offers an experience digital formats don’t. It’s the ritual of handling the record, reading the liner notes, admiring the album art, and the anticipation as the needle drops. There’s a connection to the music that feels personal and almost sacred.” For Rajesh, collecting vinyl is also about preserving India’s rich musical heritage. He focuses heavily on Indian classical music, vintage Bollywood soundtracks, and regional folk records that are rarely available in digital form.

Rajesh also highlights the challenges of vinyl collecting in India. “Finding records, especially original pressings, can be tough. There aren’t many stores that stock a diverse range, and importing vinyl can be expensive due to customs duties.” Despite these hurdles, the community of vinyl collectors is growing steadily. “Social media and online groups have been a game-changer,” he says. “They connect collectors across cities, facilitate record swaps, and even organize listening sessions and fairs.”

One surprising aspect Rajesh mentions is the increased interest among younger Indians. “It’s not just older generations seeking nostalgia anymore. Many youngsters, including musicians and artists, are discovering vinyl for its authenticity and the deeper way it allows you to experience music.” He feels this trend is part of a broader cultural shift towards valuing quality, craft, and tangible experiences in an increasingly digital world.

Rajesh’s favorite records include a 1970s vinyl of Lata Mangeshkar’s songs from the film “Guide,” an original pressing of Ravi Shankar’s sitar compositions, and a collection of Punjabi folk music from the 1960s. “Each of these records has its own story, and the sound quality is unmatched.” He emphasizes the importance of caring for vinyl properly in India’s climate, advising collectors to store records vertically in cool, dry places and to use anti-static brushes and sleeves.

On the topic of Indian vinyl production, Rajesh is optimistic. “We are seeing more independent labels and artists releasing music on vinyl. Local pressing plants have started operating, which is encouraging for the future of vinyl in India.” He also sees the role of record stores expanding from retail outlets to cultural hubs where music lovers can meet, listen, and learn.

When asked about misconceptions surrounding vinyl, Rajesh points out that many people assume it is too expensive or fragile for the Indian market. “That’s not true. You can start small with affordable turntables and find good quality records without breaking the bank. Also, vinyl can last decades if you take care of it. It’s about patience and respect for the medium.”

Finally, Rajesh offers advice for anyone interested in starting their own vinyl collection. “Start with the music you love and enjoy the journey of discovery. Visit local record stores, talk to other collectors, and don’t rush to build a huge collection overnight. It’s about quality and connection, not quantity.” He also encourages new collectors to learn about vinyl care and to invest in good equipment, as this enhances the listening experience.

Rajesh’s passion and knowledge make it clear why vinyl collecting is not just a passing fad in India. It is a movement rooted in love for music, culture, and the sensory pleasures that only analog records can provide. For many, like Rajesh, vinyl is a way to slow down and savor music in a world dominated by instant access and fleeting trends.

As vinyl continues to carve out its place in India’s musical landscape, stories like Rajesh’s serve as inspiring reminders of the medium’s enduring magic. Whether you are a seasoned collector or a curious newcomer, the world of Indian vinyl offers rich rewards for those willing to explore its grooves, histories, and sounds.